Earlier this week, while experiencing some rather frustrating technical problems (my computer was totally stuffed), I was privaledged to see an episode of the BBC's The Dark Side Of Fame With Piers Morgan. I'm no fan of the former Daily Mirror editor, as he and his tabloid brethren are responsible for the misery, and descent into self-destruction of many a talented actor or musician, and for me he represents the ugly, envious gossipy side of English culture.Thursday, 9 October 2008
The Dark Side Of Fame : Mickey Rourke
Earlier this week, while experiencing some rather frustrating technical problems (my computer was totally stuffed), I was privaledged to see an episode of the BBC's The Dark Side Of Fame With Piers Morgan. I'm no fan of the former Daily Mirror editor, as he and his tabloid brethren are responsible for the misery, and descent into self-destruction of many a talented actor or musician, and for me he represents the ugly, envious gossipy side of English culture.Thursday, 2 October 2008
Start Here : An Essential Taster of...Blaxploitation Horror
To most people, Blaxploitation conjures up images of big black dudes with afros, in loud, natty clothes, and a cast of pimps, drug dealers and ladies of the night, all set to a funk/soul soundtrack, set in the ghetto. The US movie genre which began in the early 70s was born out of a new self confidence from the emancipation of a minority, and was kitsch, and definitely loud, black and proud, with notable movies like Shaft, and Sweet Sweetback's Badass Song leaving an indelible mark on popular culture.
A lesser known strand in this genre was the reinvention of existing horror narratives, which began with the release of 1972's Blacula, a commercial success which has since gained status as a kitsch underground classic of the decade that taste forgot.
The story begins with an African prince, Mamuwalde, who calls upon the help of Count Dracula in countering the slave trade. It emerges that Dracula is in fact a racist, and so the evil Count turns the prince into a vampire, christening him with Blacula, and imprisons him in a coffin. Years later, the box is then transported to 70s LA where it has been bought by two gay interior decorators, where it is opened and all hell (literally) breaks loose, and the body count begins piling up.
The film was so successful that it spawn a sequel, and effectively, the whole genre. As the story shows, Blaxploitation's contribution to the history of horror movies is an interesting take which highlights a decade when racial tensions were still rife, where the bogeymen are misunderstood black men, who are typically victims of white society. More importantly, they're a bit silly, and lots of fun.
Next Stop: Dr Black, Mr Hyde (1976) , Blackenstein (1973), Bones (2001).
Tuesday, 30 September 2008
Pan's Labyrinth : Is It actually any good? Really?
Controversial. Sacrilege, you might say. The Spanish language film directed by acclaimed Guillerme Del Toro in 2006, and released to widespread critical praise won countless awards, including 3 Oscars, and rose to the top of many "Best Of" lists for films that year.Now the thing with praise is that it can sometimes disguise the reality. A Chinese whisper effect takes place as journalists communicate to one another that x film is the coolest thing ever, and they fall over themselves to heap superlatives upon it. The problem with this? Ever heard of the Emperor's New Clothes? There are films which you're told you will like, that you must like because everyone else does are often a disappointment. The best films often one where one has the least expectations or foreknowledge, discovered by accident while flicking channels, or taking a punt on a movie we've never heard of at the cinema. Perhaps it's something to do with consciously trying too hard, engaging the mind instead of letting the experience of a film hit you.
So, it was with trepidation that I sat down to finally watch Pan's Labyrinth on Sunday night. Suffice to say I was not disappointed. The story in set in Spain in 1944, as the battle to rid the country of rebels against the fascist rule of Franciso Franco is taking place, in this post-civil war period. Ofelia, a young girl of 11 who is in love with fantasy tales and literature, accompanies her pregnant mother to her step father, a ruthless captain working to wipe out the resistance to Franco's regime.
As they join Ofelia's new step father in the mountain ranges of North West Spain, the young girl discovers a Labyrinth, stealing away at night to follow a cricket which turns into a fairy, to find a mythical Faun creature in an underground lair who tells her that she is in fact Princess Moanna, giving her 3 tasks to complete before she is allowed to return to the underworld.
This magical world of mythic creatures and quests is counterpoised, as it unfolds against the harsh backdrop of a world in which the battle between the fascists and the rebels continues, as Ofelia also discovers a housemaid, Mercedes, and the resident doctor in the barracks are also assisting the rebels who hide in the hills, with brutal consequences.
The tale is in a sense like a modern day Peter Pan, with the young girl choosing to renounce the evils of the adult world for a fantasy which may, or may not actually exist. The ambiguity of the fantasy reminded me of the programme Life On Mars, and to a lesser extent, films like Fight Club and A Beautiful Mind, in the sense that the spectacle we are witnessing may or may not be real, but we are participating in a version of reality through the eyes of someone who is either crazy, or has visionary insight into another, fantastical reality, and is confronted with a choice.
It was a visceral experience, moving and highly emotional. You'll see in my earlier reviews from this summer, that I found Hellboy II to be over-rated, due to the presence of Del Toro as director. Visually stunning but lacking in a strong, engaging narrative. After seeing this earlier film I can now appreciate where the critical praise has come from. So, do believe the hype, after all.
Hack Rating 4/5
Monday, 29 September 2008
Paul Newman : RIP
Newman, who was a gunner in World War II, was instantly recognisable for his piercing blue eyes and, like contemporaries such as Marlon Brando and Steve McQueen he had a rebellious, outsider persona, with key performances in movies such as Cool Hand Luke, Butch Cassidy and The Sundance Kid, The Hustler, and Hud.
He studied at the famous Actors Studio in New York, soon after appearing in religious drama The Silver Chalice. He was so embarrassed by his performance that the often self-deprecating actor took out an advert in Variety magazine to apologise for his performance.
Nominated for 10 Oscars, including one for directing his wife in Rachel Rachel. His 50 year marriage to his wife was a Hollywood rarity, and succeeded partly because he remained the outsider from world of movie celebrity, mirroring the unconforming nature of his performances. He eventually got his break playing boxer Rocky Graziano in Somebody Up There Likes Me (1956).
A famous humanitarian, he was such a supporter of liberal causes that he made it onto President Nixon's enemies list, claiming it was the single biggest honour he had received. Newman set up a food retail company, donating all profits to charity, which currently total approximately $250 million, as well as making considerable donations to various charities with with he was involved, including a $10 million donation to charity of which he was a member.
Newman worked on 60 movies, alongside such luminaries as Alfred Hitchcock, Lauren Bacall, Martin Scorsese, Tom Cruise, Elizabeth Taylor and Robert Redford, finally winning his Oscar in 1986 for The Color Of Money.
late in his career he continued to gain distinction for his performance in 2002's Road To Perdition. Of his contribution, director Sam Mendes said, "“To say he was an extraordinary man would be an understatement.
“For me personally, working with him was the highlight of my professional life. He saw himself as a working actor, not a movie star, and insisted that everyone else did the same. There was no ego, no entourage, no hangers on. Only Paul, his script and his incredible spirit. One can say this about very few people, but he was a truly great man.”
Monday, 22 September 2008
Taking The Proverbial: Top Five Spoof Movies
With the release of Ben Stiller's cod-epic war extravaganza Tropic Thunder hitting the big screen last Friday, I decided it was time to look at a handful of classic spoof movies that subvert and play with existing movie conventions.....2. Airplane! (1980): The 70s was the decade of the disaster movie, beginning with Airport (1970), and ending with this definitive spoof flick, making a name for Leslie Neilsen in the process. A fairly simple plot which involves a veteran pilot conquering his fears to land a commercial flight when it is stricken by a case of food poisoning, it provides some of the funniest laughs ever in a movie, and some immortal dialogue. Airplane also made it into AFI's Top 100 funniest films ever, at No 10. Top Quality Quote: "Surely you can't be serious" "I am serious, and don't call me Shirley".
3. This Is Spinal Tap (1984): My personal favourite from this, or any list of comedy films, this early eighties mock documentary about a fictional British band on
a promotional tour in the US for their album "Smell The Glove". Famously unfunny to rock musicians of actual bands, including Steve Tyler and Eddie Van Halen, who found the humour too close to home, most of the laughs are improvised by the 3 Americans Christopher Guest, Michael McKean and Harry Shearer, with perfect accents, setting the standard for future generations of character comedians and fans of the documentary format, including Ricky Gervais and Sacha Baron Cohen. Top Quality Quote: "It's such a fine line between stupid and clever".
5. Blazing Saddles (1974): Another Mel Brooks classic, this satire of Western movies sends up every convention of the genre. The story involves a corrupt politician who appoints a black man as the new sherriff of a small town in the Old American West where everyone has the surname Johnson, is not for the politically correct, containing the use of the word "nigger" 17 times - it was partly written by none other than Richard Pryor, by way of explanation. The black comedian's sparring partner Gene Wilder plays the Waco Kid in the flick, while screen cowboy John Wayne refused a cameo in the movie, fearing it was "too dirty" for his wholesome image. Top Quality Quote: "You've got to remember that these are just simple farmers. These are people of the land. The common clay of the new West. You know…morons".
Friday, 19 September 2008
Top Five Political Movies


Tuesday, 16 September 2008
Preview: London Film Festival 15th - 30th October
Event will also include "Screen Talks" sessions with Danny Boyle, Michael Sheen and Robert Carlyle, and celebrities in attendance will include Benicio Del Toro, Gwyneth Paltrow, Omar Sharif, Liam Neeson, Penelope Cruz, Nanni Moretti and Rachel Weisz.
5 Movies to Look Out For at LFF

1. Che (Part 1 & Part 2) - Fascinating biopic of revolutionary hero Che Guevara by Steven Sodebergh, tracing his rise from obscurity to military leader. Worth it to see the ever-excellent Benicio Del Toro in the lead role (Parts 1 & 2 on 25 Oct, Part 1 on 27 Oct, Part 2 on 29 Oct).
2. Hunger - Disturbing and compelling depiction of the 1981 IRA Hungerstrike, a debut movie by Turner-Winning artist Steve McQueen, uncovering an important piece of recent British history (19 & 20 Oct).
3. Quantum Of Solace Daniel Craig returns in his second outing as the legendary secret agent. The first public screening of the movie, which premieres 2 days later (29 Oct).
4. Slumdog Millionaire - Trainspotting and 28 Days Later director Danny B
oyle's touching story of the hard life young man from the ghettos of Mumbai who aces his way through India's Who Wants to Be a millionnaire . The film won the Cadillac People's Choice Award earlier this month at the Toronto International Film Festival(30 Oct).5. W. - Oliver Stone's take on George W Bush and his story as he rises from alcoholic bum to leader of free world, with crumpet from Thandie Newton as Condonleeza Rice (23 Oct & 24 Oct).
In additional to a total of 189 feature films including these, and lots of interviews, events, and debates, the National Film and Television School will also hold screenwriting classes with Charlie Kaufman (Being John Malkovitch, Adaptation, Eternal Sunshine Of The Spotless Mind) prior to showing his new film Synecdoche, New York which will be premiered for UK audiences after being first shown earlier this year at Cannes. Writer Peter Morgan (The Queen, The Last King Of Scotland) will also discuss the fine art of screenwriting prior to the prior to premiere of the hotly anticipated Frost/Nixon.